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“This is the first step toward building a powerful, cloud-based platform for the future of video creation.”
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“The combination of Premiere Pro and Frame.io gives customers the world’s only end-to-end solution for video creation from ingest to editorial to output,” said Steve Warner, vice president of Digital Video and Audio at Adobe. Work with Camera to Cloud – the fastest, easiest and most secure way to get footage from cameras to editors, motion designers and other stakeholders. Work on up to five different projects concurrently with another remote user. Use Frame.io accelerated file transfer technology for fast uploading and downloading of media with 100GB of dedicated Frame.io storage. Get frame-accurate comments and annotations directly inside of Premiere Pro and After Effects, all without leaving their timeline.Share work in progress with an unlimited number of reviewers anywhere in the world. Now, as part of a Creative Cloud subscription, video creators can: Demand for video collaboration solutions is on the rise in a digital economy where more content is being created than ever before and remote teamwork is becoming the new normal. This is the industry’s first integrated review and approval workflow for post-production, allowing editors to get to final approval faster and easier than ever before. With the introduction of Frame.io for Creative Cloud, video editors and key project stakeholders – including producers, agencies and clients – are able to collaborate seamlessly in the cloud. Being able to see outside the shot could make reframing or animation significantly easier.SAN JOSE, Calif.-( BUSINESS WIRE)-Adobe (Nasdaq:ADBE) today announced it is bringing Frame.io’s industry-leading video collaboration platform to its millions of Creative Cloud customers and released updates to After Effects and Premiere Pro, including native M1 support for After Effects. If you don’t want to end up with 50 layers, you can also have After Effects add markers to show you where the cuts are instead. It’s also getting Premiere’s scene edit detection, which lets you drop in a video and have it automatically split into a new layer wherever there’s a cut.
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The compositing software is also getting a few quality-of-life improvements: when you’re using Draft 3D, you’ll be able to see what 2D or 3D layers look like outside of the frame, whereas before, you’d only see an outline showing you the object’s boundaries. If you disagree or want to refine its decisions, you can do so without undoing the other color tweaks it made.Īdobe also announced that the latest version of After Effects, which will start rolling out on Tuesday, will be up to three times faster on M1 family-powered Macs, thanks to the native Apple Silicon support. It calls the feature Auto Color and says it can work as a “first pass” by adding a Lumetri effect onto your clip and setting the sliders where it thinks they should be.
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While the update isn’t bringing huge functionality changes, it should be a breath of fresh air to people who spend all day in the software. But it’s easy to imagine Adobe expanding its abilities in the future now that most users will have access to it.Īlong with the Frame.io integration, Adobe has also redesigned a few aspects of Premiere Pro, changing the import and export screens to make them easier to navigate and more visually pleasing.
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At the moment, this integration isn’t bringing a ton of new features - you’re still able to export your timeline for people to review, download files from the cloud, and see comments from within Premiere, all features that were available with a plugin.
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Users will be able to sign in to the service using their Adobe IDs and start using it in their editing software without having to install a separate plugin.
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Since it’s bundling Frame.io with Creative Cloud, Adobe’s also building it into the new versions of Premiere and After Effects.
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